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Luiz Carlos Barreto graduated chain that was opposed to exhibitionistic photojournalism

[ Fernando Rabelo | March 6, 2010 | No Comment | 55 views]
Photo © Luiz Carlos Barreto. Marilyn Monroe in Hollywood, 1959.

In The 50s - The Journal magazine O Cruzeiro of Brazil and gave great impetus to Brazilian photojournalism to devote an area highlighted in the reports for the pictures, until then used as accessories in the text. Among the major names of that period are Jean Manzon, Indalecio Wanderley, Ed Keffel, Luciano Carneiro, José Medeiros, Peter Scheier, Flávio Damm and Marcel Gautherot. Luiz Carlos Barreto, the filmmaker, was one of those photographers - and good. From early 50s to mid 60s, he worked as a photojournalist for The Cruise, the largest circulation weekly magazine at the time. During this period, did the historical record. He photographed the final of World Cup 1950 in Maracana, the decoration of the guerrilla Che Guevara by President Quadros in 1961, and the photo of the exile of former President Kubitschek in Europe in 1969. Also clicked film actresses like Marlene Dietrich, Marilyn Monroe and Grace Kelly. "At that time we formed a chain in O Cruzeiro who opposed photojournalism exhibitionist and preached a contemplative, a la Bresson: The rule was not to interfere, do not let yourself get photographed and tell by the look of interpretation that is born of emotion caught in the eye in the gesture, the composition of elements. " So Baker defined his work.

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