Photo: Thiago Biz

The table "Where's Henri Cartier-Bresson?" With Zeca Linhares (middle) and Eder Chiodetto (right) was marked by antagonism of perceptions. My perceptions may be.

Zeca Linhares entered in a more historical and alinhavou your Bressonianos speaks in cliches. After two full years of HCB, as were 2008 and 2009, gets a bit tiring. However, Zeca drew some interesting ideas like the fact that HCB register "the wonderful", much more than the turning point. Categorized some trivialities of Cartier-Bresson, as expected, the environment, light, clipping; the horizon, the geometry, the shot, the drama does not show the others. All feature marked by nostalgia when it comes to HCB.

Eder Chiodetto came with the baggage of the curators of the exhibition at SESC Pinheiros (SP) which took more than 160,000 visitors, a record of 2009. Based on the attempt of the recontextualisation work of HCB to analyze if it is still a reference, Eder discussed about some aspects of print vs. Reference and myths. About HCB, Eder said he "read time differently from how we read." It was his time.

In the end, the curator showed some photos of another exhibition that was made in parallel with that of Cartier-Bresson called "Bressonianas" and has Brazilian authors influenced by French master. They are images of Juan Esteves, Cristiano Mascaro, Tuca Vieira, Flávio Damm, among others. Zeca Linhares, notably curatorial disacordo with the line, said the only Brazilian Bressonian Ripper is JR.