Photo: Raymond Depardon | Fainting Bride, Bois de Boulogne, Paris, 1956

This image came to me with different dynamics. Despite the prosaic fact of a possible fainting female, photography, in its subjectivity, it happened in two states.

Who registered in the camera and that was (maybe) thrown on the ground by a certain reaction. The story in this picture is even more vivid by the look of the alleged "photographer" - that did not click - but that time has built into its record to get the camera to the urgency of the surprise of himself. Thus, the cameras seem really beyond belonged to him.

For Georgia Farms.

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