Paraty in Focus 2011

You launched the 31st edition of * Studium Magazine , published by the Institute of Arts (IA) of Unicamp. The new issue features articles by Carlos Alberto Murad, Celso Guimarães, Luiz Claudio da Costa, Luciano and wine-Fadon Carlos Vicente, and an interview with the Frenchman Andre Rouille - specialist photography and contemporary art - held by the professor at the School of Communication UNB, Susana Dobal.

In "The image-photogenic or light imagery in the creative processes of photography," Carlos Alberto fotopoética Murad discusses the size of the photograph from the philosophy of imaginal Bachelard, suggesting the existence of a conjunction between a lighting fantasy artist and the photographer the phantasmagoria of a time immemorial luminal. For the author, "live the dematerialization of the imaginal photo overlaps simultaneously with the poetic experience of non-representable image photogenic."

Luiz Claudio da Costa, in his article "The operations in the poetic photographic file," provides an overview of the uses and meanings of the word file from the Enlightenment and questions the place of photography in modern production archive of speeches and visibilities. Celso Guimarães also analyzes the visibility of photographic thought and its relationship to modern thought. The author of "The Subjective Photography and Modern Photography" is based on important contemporary thinkers as the philosopher Flusser and scholar Andre Rouille, to outline his analysis of the current idolatry of images rather than their meanings.

The article "Documents and records: a critical view on the discourses of art and photography," wine-Luciano, in turn, is the incursion of photography in the circuits of contemporary art, its formal aspect and its social dimension.

The Studium # 31 opens with two lightweight text: "Dolores: design, implementation, dissemination," Carlos Vicente Fadon, and an interview with Andre Rouille, by Susana Dobal. The object of analysis of the article by Carlos Vicente Fadon audiovisual work is the electronics, built in hypermedia, "Dolores: poster, the picture and the role of women." Focusing in particular on the observation and recording of the presence of women in the billboards of São Paulo, the central theme of the work are the outdoors - the feminine modeled - reinterpreted through photography, putting the representation of representation.

Finally, photographer and professor at the University of Brasilia Susana Dobal presents the interview, conducted in 2009, with the professor at the University Paris 8, Andre Rouille. The scholar said the thoughts of Barthes, Deleuze, Foucault and talks about his book Photography: between document and contemporary art, which was to be released. Access the complete contents of the Studium # 31 here .

* Coordinated and designed by Professor Fernando de Tacca, the online magazine is now an important reference in teaching and research in the visual area.

Studium + # 30