Personals | Interviews
Eder Chiodetto + Mauricio Lissovsky by Livia Aquino / / Future of the past
Date: September 24 [Saturday]
Time: 10h30/12h30
Where: House of Culture [R. Geralda 117]
The word future, in its origins back in medieval times, and its most eminent signifcado also has its roots in the idea of growth. In contemporary society, the issue has unfolded in growing yes, but with knowledge, grow creating, shaping the future in a creative way, or in the case of photography, which will be able to find art that will stand tomorrow. Partly it was the work of the independent curator, teacher and photographer Paulo Chiodetto Eder, shows the organization of Generation 00. For him, this mapping of the future picture is for experimentation and the documentary, a power line, which boosted the Brazilian image in the first decade of the 21st century.
Continuing this analysis, Chiodetto who also organized and curated shows Henri Cartier-Bresson and look and pretend, Auer Photography Collection, will partners reflect the historian Maurice Lissovsky Rio, is a historian, Ph.D. in Communication and a researcher at the IDEA Center. Screenwriter, author of several books, he has been dedicated to researching the theory, language and history of Brazilian photography, on issues such as Time and originality ds modern photography, one of his papers. The photographer and image researcher Livia Aquino will mediate this conversation, which promises not to be small. Master in Multimedia and PhD in Visual Arts at Unicamp, was professor of undergraduate and graduate degree in the University Center of Photography SENAC.
Workshops
Eder Chiodetto / / Curator and editing images
Date: 22 and September 23 [Thursday and Friday]
Time is now: 09h/17h
Where: Marriah [R. Dr. Pereira 33]
R $: 390
[Vacancies exhausted]
By expanding its borders beyond the utilitarian use in media, photography has advanced more in the open space of the arts circuit, creating the photographers who use it as a means of personal expression of the need for a greater understanding of the various developments that magical intersection between realism, subjectivity, and fiction can provide. Thinking about the various stages of a project from concept to the general aesthetic and ideological options as a way of bringing idea and representation, is fundamental to the creation of a photographic essay. The photographer, journalist and curator Eder Chiodetto show their process of acting as a trustee in recent work of national impact, addressing objective criteria and subjective editing and narratives that lead to the construction of a photo shoot together. Reading group participants' own portfolios, as well as a collective project curated lightning, are some of the ways that will lead to discussion of editing features, approach and intent.
Program:
. Talk of the process of creation in curatorship. Anatomy of a photo essay
. Reading joint text proposed by Professor
. Presentation and discussion of photographic essays
. Reading portfolios open to the group of participants
. Proposal of the subject to be photographed by the students
. Photographic output. Critical edition of the result of photographic output. Assembly of a draft exposure from the edition of the output
What to bring to the course:
. Portfolio (preferably 20 to 30 images of a test - if you - or a group of pictures that the participant considers to be his best prints like 10 x 15 cm year edition)
Reading Portfolio with Eder Chiodetto
Date: 24/25 September [Saturday / Sunday]
Time: 09h30/12h30
Where: Marriah [Rua Dr. Pereira 33]
£: 240 [those selected will be read by all readers on two mornings: Saturday / Sunday]
_INSCRIÇÃO CLOSED
Master in Communication from the University of Sao Paulo, independent curator, photographer and editor, photojournalist Eder Chiodetto was the newspaper Folha da Tarde (1991-1994), subsequently occupying the position of Photo Editor of the newspaper Folha de S. Paulo (1995 to 2004 ), where he wrote critical of photography for 14 years for the notebook Illustrated. Author of The Writer's Place (Cosacnaify, 2002), is also editorial coordinator of the collection FotoPortátil the same publisher. It was one of the winners of the Tortoise, 2004 and voted best curator of photography 2008/2009 by the Journal Clix. Among other important exhibitions, curated the exhibition Look and Pretend: Photographs from the Collection Auer (MAM-SP, 2009) and Generation 00: The New Brazilian Photography (SESC Belenzinho, 2011). It is curator of Photography Collectors Club of MAM-SP since 2006. 
