Feil _Marcel
Dutchman Marcel Feil believes that increasingly we are sharing the pictures internationally, based on universal principles and ideas that are already manifest in many works and causing new photographers to also be part of this discussion. Also, he thinks that technological advancement has created a new representation for the image, which is no longer tied to a support material. He said the emphasis now is on temporary, the relative and dynamic, ie: the image is literally dematerialized. ¶ Since 2002 Marcel Feil is curator of FOAM (Fotografiemuseum Amsterdam), Holland, one of the most renowned centers of photography Europe. Graduate in Art History at the Amsterdam University, worked for the Foundation for Visual Arts, Architecture & Design and has curated for the Amsterdam Centre for Photography, mainly working with emerging photographers. It is also the editor of FOAM Magazine, the international magazine image.
Personals | Interviews
Constant DULLAART + Marcel Feil by Edu Muylaert / / FOAM - What's next?
Date: September 24 [Saturday]
Time: 15h/16h30
Where: House of Culture [R. Geralda 117]
Almost two centuries are enough to exhaust the possible transformations of the photographic image? What can we do to "reinvent the wheel" by using a medium whose resources are boundless creativity but not in the technique? So what can we expect from the next generation, automatic barrier which rises higher and higher? So many question marks that promise to heat up the table formed by the Dutch and Constant Dullaart Marcel Feil, mediated by Eduardo Muylaert. Let's find out the ways of the "next generation"?
Dullaart is a multimedia artist focused on Internet recontextualiza the material found there. He works the changes in the dialects commonly encountered in contemporary usage of the computer and its range of mass. Professor at the Amsterdam Rietveld Acadamie is curator in the Netherlands, Germany and New York. Fellow Feil, Curator of FOAM, Photography Museum Amsterdam, and editor of its magazine, now believes that everything has become universal, which puts us in direct risk to the pasteurization of the media. However, all believed to be transient and philosopher in his own time, working primarily with emerging photographers. Arranging the conversation, the photographer Edward Muylaert, who brings his experience as a curator and an artist's image, whose latest work is precisely the issue of working time, transience and permanence of the photograph.
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